Fleetwood Mac - Fleetwood Mac

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Fleetwood Mac - Fleetwood Mac
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Es una de las bandas de blues y rock más influyentes y comercialmente más exitosas que hayan existido, la cual ha sufrido constantemente cambios en su alineación y han sido variadas sus etapas exitosas.
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Creado a finales de los años 60 cambió su estilo de un blues tradicional, a rock y finalmente a un pop suave y elegante.
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Sus períodos más exitosos fueron en sus inicios, cuando entre sus fundadores figuraba Peter Green, y en los últimos años de la década de los setenta, cuando la voz de Stephanie Stevie Nicks y las canciones de Lindsey Buckingham tuvieron mucho éxito.
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Fleetwood Mac - Fleetwood Mac
Temas
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01 - Monday morning.mp3
02 - Warm days.mp3
03 - Blue letter.mp3
04 - Rhiannon.mp3
05 - Over my head.mp3
06 - Crystal.mp3
07 - Say you love me.mp3
08 - Landslide.mp3
09 - World turning.mp3
10 - Suga daddy.mp3
11 - Im so afraid.mp3

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Josephine Baker - Bonsoir My Love

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Josephine Baker - Bonsoir My Love


1906-1975


Josephine Baker (Freda Josephine McDonald) was born in St. Louis, Missouri in 1906.
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When she was thirteen she dropped out of school left home and got married but the marriage only lasted a few months before it ended.
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Josephine started performing as a street musician in St. Louis and soon graduated to performing on the T.O.B.A. vaudeville circuit. In 1922 she landed a small part as a comedy chorus girl in the touring company of Sissle and Blake's musical revue "Shuffle Along".
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Josephine went over well in her small role in the revue and came to the attention of Sissle and Blake. They wrote a special part for her in their 1924 production of "Chocolate Dandies". During this time period Josephine became the steady girl friend of Eubie Blake.
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French producers came to New York looking to cast an all-black musical revue in Paris. They saw Josephine performing at the Plantation club and offered her a part in their production La Revue Negré.
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In 1925 she went to Paris to appear in in the show.
The show opened on October 2, 1925 in Paris at the Théâtre Champs-Elysées. Josephine had two numbers in La Revue Negré.
In the first routine she danced a frantic version of the Charleston while accompanied by a jazz band that featured Sidney Bechet.
Her second routine was the closing number of the show was called "Danse de Sauvage". It was an erotic dance that she performed with the male dancer named Joe Alex. This dance was the hit of the show and proved to be the role that would launch Josephine towards stardom in Europe.
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The La Revue Negré began a tour of Europe but Josephine left the show in Berlin and returned to France, where she was offered a starring role at the famous Folies Bergère.
In the show Josephine performed a dance that combined both comedy and eroticism were she wore only a skirt fashioned to look like bananas and comically crossed her eyes. The show was a big hit and Josephine became a major star in France based on this her performances at the Folies Bergère.
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In 1926 Josephine made her first recordings in Paris and opened her own night club called Chez Josephine at 39 rue Fontaine in the 9th Arondissement in Paris.
Josephine's star continued to rise in the 1930s and she became one of the biggest stars in France.
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In 1936 she returned to America to to star in Ziegfeld's Follies but the show was a flop and Baker broke her contract and returned to Paris disgusted with the racism that she was subjected to while in New York.
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During World War II Josephine stayed in France and joined the French Air Force working with the Red Cross and performing for French and Belgian troops.
During the Nazi occupation of France Josephine heroically stayed in Paris and was a member of the French Resistance. Josephine continued to perform in the 1950s and 1960s until she suffered a heart attack in 1964. After her heart attack Josephine slowed down and only performed a more few times before her death in 1975.


http://www.redhotjazz.com/josephinebaker.html
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Josephine Baker - Bonsoir My Love


Temas

01_ J'ai deux amours.mp3

02_ La petite tonkinoise.mp3

03_ Voulez-vous de la canne a sucre.mp3

04_ Dis-moi josephine.mp3

05_ Ram-pam-pam.mp3

06_ Si j'etais blanche.mp3

07_ Madiana.mp3

08_ Les mots d'amour.mp3

09_ C'est lui.mp3

10_ Haiti.mp3

11_ Sous le ciel d'afrique.mp3

12_ Espabilate.mp3

13_ Partir sur un bateau blanc.mp3

14_ Nuit d'alger.mp3

15_ Doudou.mp3

16_ Nuits de miami.mp3

17_ Mayari.mp3

18_ La conga blicoti.mp3

19_ Vous faites partie de moi ( i've got you under my skin).mp3

20_ C'est si facile de vous aimer (easy to love).mp3

21_ C'est un nid charmant (there's a small hotel).mp3

22_ Comme une banque (i'm feelin' like a million).mp3

23_ J'ai un message pour toi.mp3

24_ Bansoir my love.mp3

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Link
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RBerdi_JosephineBaker-BonsoirMyLove.rar

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Oscar Alemán

Josephine Baker lo convoca a una prueba que lo confirma y la deslumbra.
Será el primer guitarrista, durante años, de su orquesta estable.
Ambos conforman un dueto de antológica faceta que persiste en la iconografía y discografía, tanto de difusión como de investigación, de la música francesa.
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Recorren una pléyade de escenarios que rutilan con los efectos destellantes de una alianza irrepetible, hasta la invasión alemana a París, en 1940, que los obliga a desmembrar la compañía y continuar separados.

Link

Oscar Alemán - El Inolvidable Oscar Alemán
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Paul Whiteman - Selección Grabaciones Año 1921

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Paul Whiteman

Paul Whiteman and his Orchestra was the most popular band of the 1920s and represented the apex of jazz to the general public.
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Over the years, critics and some musicians like Eddie Condon, have not had kind words to say about the band and have tended to represent Whiteman as a bad influence on the music in his attempts to "Make a lady out of Jazz".
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The title of "The King Of Jazz" which Whiteman was billed as seems somewhat politically incorrect these days, but in the 1920s he dominated the scene and hired the best White hot musicians like Bix Beiderbecke, Frankie Trumbauer, Eddie Lang, Joe Venuti, Jack Teagarden and many more to play in his band.
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Paul Whiteman greatly enriched American music by commissioning George Gershwin to write Rhapsody In Blue which became his orchestra's signature tune.
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He also "discovered" Bing Crosby and featured him in Paul Whiteman's Rhythm Boys, and gave the career of Hoagy Carmichael a boost, by recording several of Hoagy's songs early in his career.
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Jazz singer Mildred Bailey also rose to fame in the orchestra in the 1930s. So, what was it that has led Whiteman's name to be dragged through the mud in the annals of Jazz history?
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Paul Whiteman being the most popular Jazz band leader of the Jazz Age is blamed for the racism in America that denied African-American musicians the credit that they deserved in the history of Jazz.
If there is such a thing as the "King of Jazz" the title belongs to Louis Armstrong, although that may not have been clear to most people in the 1920s. Whiteman is also criticized for not hiring African-American musicians to play in his band, but this argument ignores the commercial realities of the period.
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Paul Whiteman was clearly not a racist. He commissioned Duke Ellington to write for his modern music series, recorded with Paul Robeson and Billie Holiday, and hired Don Redman as an arranger in the 1930s and was generally held in high regards as a person by musicians both Black and White.
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The worst that can be leveled at Whiteman was that he was a businessman. His band was wildly successful financially, and quite often his music sounds commercial and sweet, especially when compared to the top African-American Jazz bands of the era.
Despite that, Whiteman made some very good Jazz records in the 1920s such as San, Washboard Blues, Mississippi Mud, Whiteman Stomp, Wang Wang Blues and I'm Coming, Virginia.
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His interest in making symphonic Jazz led the way for generations of Jazz musicians as diverse as Miles Davis, Gil Evans, The Modern Jazz Quartet and Winton Marsalis, who may not directly cite Whiteman as an influence, but have certainly walked down the path that he blazed at points in their careers.


http://www.redhotjazz.com/pwo.html


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Temas


Paul Whiteman - April Showers 27-10-1921.MP3


Paul Whiteman - Bright Eyes 1-2-1921.MP3


Paul Whiteman - Canadian Capers 5-10-1921.MP3


Paul Whiteman - Cherie 21-4-1921.MP3


Paul Whiteman - Dear Old Southland 23-12-1921.MP3


Paul Whiteman - Do You Ever Think Of Me 1-2-1921.MP3


Paul Whiteman - Everybody Step 21-10-1921.mp3


Paul Whiteman - Gypsy Blues 5-10-1921.MP3


Paul Whiteman - Have You Forgotten 22-9-1921.MP3


Paul Whiteman - Humming 25-2-1921.MP3


Paul Whiteman - Learn To Smile 2-6-1921.MP3


Paul Whiteman - Make Believe 4-3-1921.MP3


Paul Whiteman - My Mammy 1-3-1921.MP3


Paul Whiteman - My Man (Mon Homme) 4-4-1921.mp3
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Paul Whiteman - Oh Me Oh My 18-5-1921.MP3


Paul Whiteman - Saddle Your Blues To A Wild Mustang (Bob Lawrence) 6-2-1936.MP3


Paul Whiteman - Say It With Music 30-8-1921.MP3


Paul Whiteman - Second Hand Rose 22-9-1921.MP3


Paul Whiteman - Song of India 31-5-1921.MP3


Paul Whiteman - Sweetheart -6-1921.MP3


Paul Whiteman - When Buddha Smiles 27-10-1921.MP3


Link
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RBerdi_P.Whiteman-Sel.Grab.A.1921.rar


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